The Contemporary Classical Composer's Bullshit Generator

In simple terms, examining chord-awarenesses (in addition to transforming spectral isorhythms) is one of my most radical approaches to electronic composition. Rather than heterophonically visualising innovative recordings, I now prefer dismissing neo-semiotic types of silence, in conjunction with highly progressive hemiolas. To put it concisely, the postmodern forms of any given chorale must never clash with the ultimately critical endeavour of morphing time-signatures wherever possible. I have found that semantic systems, in combination with post-Schoenberg modulations enable me to meaningfully transcribe brand-new arias in a highly integral and extremely pro-developmental way. My latest composition explores the boundaries between spaces and reactions, whilst utilising a highly symbolic attitude to a traditional, transdisciplinary idiom. The simultaneous consequences of transcribing dissonances enables the use of a single framework amongst many intra-random concertos.