The Contemporary Classical Composer's Bullshit Generator

The semantic consequences of challenging triads enables the use of a single polyphony amongst many unified commissions. To put it concisely, the sonic forms of any given spectralism must never clash with the ultimately stylistic endeavour of studying reactions wherever possible. By engaging in semantic devising, I seek to overcome the existing modal models, and establish a more contrasting and diverse paradigm. The pursuit of postmodern fanfare-noises to experience the mostly-abstract paradigm is a key focus of my distorted study. My work aims to re-bar pre-conceivedly-technological arias with quadrophonically-modernistic tetrachords whilst performing certain fermatas or multi-timbral improvisations. It is of paramount importance that subtractive, polytonal idea-themes must never be allowed to become collaborative, or post-Schoenbergly complex.