The Contemporary Classical Composer's Bullshit Generator

In short, the conflict must never dismiss the sound-world. The most important tip I can give anyone is this: Never allow intra-choreographic spacings; rather, endeavour to dominate your intra-statically-semi-20th-century patterns. My most personal synchronisation always features strongly in any of my diametric compositions. My aim is simple - to contextualise all semantic textural-improvisations, whilst simultaneously (and triadically) contextualising the idea of 'soloistic-element-mechanisms'. My goal, in essence, is to sense musical analyses. My latest composition explores the boundaries between approaches and substances, whilst utilising a highly literal attitude to a traditional, binary novelty.