The Contemporary Classical Composer's Bullshit Generator

This composition repeats all sorts of collaborations, before deciphering somewhat technically, and finishing with an extremely diametric series of 'chord-structure-processes' (as I like to call them). As a highly electronic composer, I explore the connection between sources and fermatas, and search for new ways to 'compose the fundamental'. I never invert energies, despite the fact that any expression or fanfare can be, and has been interpreted as a rather complexly-transdisciplinary set of 'installation-tones'. The juxtaposition is the single most important element in any electronic composition, and my own work seeks to explore (and juxtapose) this in the context of 'device-transformation-oscillations'. My work is, in short, a re-imagining of the 'predominant-aesthetics' school of contemporary 'improvisation-challenge' composition. I have found that instrumental systems, in combination with pro-microtonal time-signatures enable me to professionally spatialise brand-new tetrachords in a highly polytimbral and extremely polyphonic way.